Reintges Flip
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Shown for a regular-footed rider. Teal ring + arrow = the rider's facing direction; teal band = the tail; a dot is where a hand holds the board - bright yellow for the front hand, amber for the back one, which is the whole difference between a mute and an indy. Board and rider rotate independently - each follows its own component. Drag to orbit.
How it works
A compound flip thrown out of a rail stand. The board starts up on its side, a quarter turn rolled, and is kicked off that edge into one and a quarter heelflip rotations while it also pitches 180 degrees forward end-over-end. Both numbers are chosen by the landing rather than by taste: a quarter turn plus one and a quarter is one and a half turns of roll, which leaves the deck grip-down, and the half end-over-end turns it back over, so the two together arrive wheels-down with the ends traded. Nothing rests under the board once it is off the edge - the foot that kicks it is the only thing that touches it between the rail stand and the catch, which is what separates this from the rail-flip family it grows out of.
Step by step
- Start balanced in a rail stand, the board up on its side with both feet on the upper edge.
- Set the kicking foot near the end that will lead the somersault, weight forward over it.
- Kick down and forward off the raised edge in one motion - the roll and the pitch come from the same stroke.
- Let the board leave the edge completely; there is nothing under it for the rest of the trick.
- Track the deck through one and a quarter rolls and a half turn end-over-end.
- Spot the grip coming level, catch it wheels-down with the ends traded, and settle.
Body mechanics
| Front foot | Steps clear of the rail stand and stays high while the board loops through the space it vacated. |
|---|---|
| Back foot | Delivers the down-and-forward kick off the raised edge that loads both rotations at once, then lifts away. |
| Shoulders | Square and low over the board, holding the rail stand's balance until the moment of the kick. |
| Arms | Wide for the rail-stand balance, then quiet - the board is free and cannot be corrected. |
| Gaze | Down on the raised edge through the kick, then following the grip through both rotations. |